Posts From Sam Sutherland

Sam Sutherland

Sam Sutherland

Sam Sutherland has worked both sides of the music biz street as music industry journalist at Billboard and Record World (as well as freelancing for Phonograph Record, Musician Magazine, High Fidelity and Rolling Stone), and in the label trenches with Elektra/Asylum, Windham Hill Productions and Discovery Records. In the ‘90s, he was beamed up to the digital rapture via software and early online projects for Microsoft and Amazon’s original music and video storefronts. He’s since produced entertainment content for Windows Media and, most recently, MSN Music. Nevertheless, he still prefers vinyl to digital. A New York ex-pat, Sutherland lives near Seattle.

Elton John’s ‘Tumbleweed Connection’: Raising the Stakes

The musical language that would define his work is all present on this early gem that solidified Elton’s writing partnership with Bernie Taupin.

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Finding a ‘Pearl’–Janis Joplin’s Last Hurrah

It remains her most fully realized record, fronting the best band she would ever lead on her strongest set of material.

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The Band ‘Rock of Ages’: Their Live Pinnacle?

It belongs on any short list of the best live albums ever, while serving as a coda to the group’s groundbreaking influence.

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‘Running on Empty’: Jackson Browne’s Romance of the Road

The 1977 LP was his most surprising, least typical album, a game-changer that updated his identity from folk-rock troubadour to rock headliner.

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‘Slowhand’: Eric Clapton’s 1977 Platinum Balancing Act

The album offers a lucid balance of technical mastery and artistic modesty. It became his best-selling studio LP to date upon its release.

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Stephen Stills’ A-List Solo Debut Revisited

A balance of DIY proficiency and top-tier talent gave the 1970 release an early head start in the race for most popular solo album by a member of CSN&Y.

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‘The Who By Numbers’: Back to Basics

After an eight-year odyssey of releasing concept albums, the original quartet put together a set of unrelated songs that found favor with their fans.

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Tom Petty & the Heartbreakers’ ‘Damn the Torpedoes’: Full Speed Ahead

The LP was the band’s long-awaited breakthrough, with them now matching the caliber of their front man’s writing with their focused musicianship.

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When Donald Fagen Lightened Up With ‘The Nightfly’

On his debut solo album, cut during Steely Dan’s ’80s hiatus, he trades cynicism for nostalgia in a song cycle.

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‘Late for the Sky’—The Jackson Browne Confessional Masterpiece

He achieved a poetic force with the eight songs comprising the album, their lyrics demanding a closer listen.

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